100 metronomes can’t be wrong, but Cerrone premiere impresses most in Ligeti program

Chicago Classical Review

By Lawrence A. Johnson

The penultimate program of the György Ligeti festival in this season’s University of Chicago Presents series took place Friday night at the Logan Center. Yet the most substantive music of the evening, curated by Third Coast Percussion, was a work by a young American composer.

One of Ligeti’s most endearing qualities is his antic sense of humor. The three Ligeti works featured on the first half richly represented the satirical, anti-establishment side of the Hungarian composer, even if none of the music showed Ligeti at his most essential.

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